Kitarat: kitarakamat ›

Marsuja oli myös vielä Jussilla mutta vain power ampeja (suomeksi?).
 
Eiku nukkemestarilla. Mark IIC+ ja JCM800:sta käytettiin päätteenä -> Marshallin 300w kaappi.
 
Ja Batteryn kitarasaundit:
 
http://www.sweetsilence.com/Metalli … /04-Battery%20Gtr%20EQs%20Small.jpg
 
Mesa MkIIC+:
Volume=9.5, treble=7 (pulled shift adds gain and balls in lead mode only), bass=2, middle=4, master=4 (pulled deep adds low end fatness for rhythm and lead), lead drive=5 (pulled lead manually selects lead), lead master=3.75, and presence=4.5, which is on the back of the amp.
 
B&B (Aphex) parametric eq:
+6dB of 4.6k shelving, -6dB at 1.2k, and +3/4 dB of 120hz peaking.
 
Mikkien equt:
The graphs of endless #s that look like a stock market printout in a newspaper are the eq settings for the sm57, B&K 4006 in omni, and AKG Goldtube. Directly under the SM57 are the four fractions 5/-2, 10/3, 5/2.5, and 10/2. This means for the left sm57 -2dB at 5k, +3dB at 10k, and for the right sm57 +2.5k at 5k, and +2dB at 10k. +9dB of 150Hz, and -3dB of 1k, left sm57, and you get the idea. And so on and so forth for all the other fractions, with a left and right mic for each mic type. At the bottom of the fraction sets are the division bracket looking things with a 50 or 100 inside. Those are the highpass filters. Below those are the F10-s and the F14/16-s. Those are the fader positions, so the sm57 and Akg are at -10dB, and the B&K is below it by 6dB at -14/16dB.
 
Mielenkiintoista luettavaa aiheesta:
 
Flemming Rasmussen:
http://gearslutz.com/board/showthread.php3?t=58664&page=2
 
Michael Wagener:
http://gearslutz.com/board/showthre … =36736&highlight=master+puppets
 
Michael Wagener Master of Puppetsin miksauksesta:
Yes, it was a concious decission by Lars and James that the bass should take second seat to the low end of the guitars. We had long discussions about that, but the band had a pretty fixed idea on how they wanted the album to sound. As to the guitars: they had recorded six track of rythm guitar. They were panned: one hard left, the second one (playing the same riffs) to about 11 o'clock. The other two main tracks (playing slightly different riffs than the left side) where panned the same way to the right side, one full the other to about 2 o'clock. Then there were two tracks chugging just the low E string on the actual "chunks" and those were panned hard left and right as well and were responsible for all the low end of the guitars. No compression (a guitar amp compresses enough IMO) and just a little short room from a Quantec QRS Room Simulator.