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Tarkoituksella tällä osastolla. Niin jokohan sitä pitäisi hommata digiboksi että näkisi ylen Teema -kanavaa.. vuoden päästähän se on edessä kuitenkin tuon hankkiminen. Ja tuo Teema-kanavan tarjonta on kyllä se suurin syy minulle hankkia tuo boksi.
http://www.yle.fi/teema/sarjat/laatusarjat/id9239.html

Ehdin jo kiroamaan YLE:n kun Blues on unohdettu kokonaan, mutta toi sarjan näyttäminen pelastaa tilanteen. Hyvä uutinen, hyvä Teema, hyvä YLE.

Onko tää sitä samaa sarjaa kun levykaupoista saa niitä "Martin Scorsese presents the blues" levyjä? Itelläni on tuo Hendrixi

Joo. Eipä ole minullakaan digiboxia vielä. Tallentava boxi olisi asiaa ja niin että tavaraa saisi vielä siirrettyä dvd-levylle. pitänee alkaa tutkailemaan laitteita.

Onko tää sitä samaa sarjaa kun levykaupoista saa niitä "Martin Scorsese presents the blues" levyjä? Itelläni on tuo Hendrixi
 
Se CD - sarja tavallaan liittyy noihin dokkareihin, jotka nyt Teema näyttää. Dokkarit on saatavilla myös DVD:einä bonusmateriaalin kera.

Sehän se itselleni suurin ongelma onkin, että kun pitäisi saada digiboksi kovalevyllä, ja jossa on kortinlukija, ja josta saisi vielä dvd:llekin siirrettyä tavaraa.
Polttava dvd:hän taas vaatii vielä sen digiboksin joka tapauksessa, eh . Tulee vaan niin hemmetin kalliiksi tämä. VHS:stä olisi kiva päästä eroon, mutta kun niillä kaseteilla on vielä sellaista tavaraa josta ei raaskisi luopua.
Menipäs taas offtopiciksi .

Oho, pitää kattoa. Scorsese on hyvä ohjaaja ja blues on mielenkiintoinen aihe.

Oho, pitää kattoa. Scorsese on hyvä ohjaaja ja blues on mielenkiintoinen aihe.
 
Scorsesen itsensä ohjaama sarjan ykkösosa "Feel Like Goin' Home" noista onnistunein mielestäni onkin. Clint Eastwoodin ohjaama pianobluesia esittelevä jakso toimii myös oikein hyvin.

Nostetaan tää... huomenna lauantaina tulee sitten eka osa.

Unohtui, tietenkin.

Parasta mitä telkusta on tullut pitkään aikaan.
 
Ehkä en oo ottanu ehkä oon.

Ääh. Oli pettymys. Toivottavasti seuraavat osat ovat parempia.

Hyvältä vaikutti. Täytyy muistaa katsoa seuraavat osat myös.

Meikähän tykkäs tuosta. Pitänee joskus se kaikki osat sisälävä boksikin hankkia.

Unohtui, tietenkin.
 
Sama......

Unohtui, tietenkin.
 
Multakin, pitihän se arvata..

Itse muistin, mutta enpä ole ostanut vieläkään digiboksia.
 
Eikös tollanen Panasoniikki ollut uusimmassa MikroBitissä arvioitavana (digiviritin kovalevyllä ja polttava DVDllä). Siinä taisi tosin olla vain yksi viritin.
 
Vipstaaki jolla videot saa koneelle maksaa tätä nykyä varmaan jonkun 50-70€. Tai ainakin tuollaisia olen nähnyt mainostettavan.
Mutta kun on tyhmä, niinkuin minä, niin ostaa polttavan dvd:n kovalevyllä, ilman sitä digiviritintä, ja sitten saa ostella digibokseja pari kappaletta että voisi katsella eri kanavaa kuin äänittää. "Halpahan" tuo oli mutta kun ostelee ne digiboksit niin huomaa että ei se niin halpa ollutkaan, plus että sitten saa olla digiboksi koko ajan auki jos äänittelee= epäkäytännöllistä. Eli olisi ehkä kuitenkin pitänyt vaan ostaa se kovalevytallennin digiboksissa.
Enkä osaa kylläkään laitta mitään tietokoneelle, eli ne laitteet voinee unohtaa.

Ääh. Oli pettymys. Toivottavasti seuraavat osat ovat parempia.
 

 
No tuo sama sarja tuli ruotsin tv'stä muutama vuosi sitten ja taso todella vaihteli rajusti. Seassa oli hyviä ja huonoja jaksoja. Jos on sama mikä tuli rutsin tv'stä niin on näitä:
 
"Feel Like Going Home"
Director Martin Scorsese (The Last Waltz, Raging Bull, Gangs of New York) pays homage to the Delta blues. Musician Corey Harris travels through Mississippi and on to West Africa, exploring the roots of the music. The film celebrates the early Delta bluesmen through original performances (including Willie King, Taj Mahal, Otha Turner, and Ali Farka Toure) and rare archival footage (featuring Son House, Muddy Waters, and John Lee Hooker).
 
Says Scorsese: "I've always felt an affinity for blues music — the culture of storytelling through music is incredibly fascinating and appealing to me. The blues have great emotional resonance and are the foundation for American popular music."
 
Performances in Feel Like Going Home
Corey Harris
John Lee Hooker *
Son House *
Salif Keita
Habib Koité
Taj Mahal
Ali Farka Toure
Otha Turner
Muddy Waters *
Keb' Mo'
Willie King
Lead Belly *
 
*indicates archival performance
 
Interviews in Feel Like Going Home
Corey Harris
Sam Carr
Toumani Diabate
Willie King
Dick Waterman
Taj Mahal
Johnny Shines *
Otha Turner
Ali Farka Toure
Habib Koité
Salif Keita
Keb' Mo'
 

 

 
"The Soul Of A Man"
Director Wim Wenders (Buena Vista Social Club; Wings of Desire; Paris, Texas ) explores the lives of his favorite blues artists — Skip James, Blind Willie Johnson, and J. B. Lenoir — in a film that is part history and part personal pilgrimage. The film tells the story of these artists' lives in music through a fictional film-within-a-film, rare archival footage, and covers of their songs by contemporary musicians, including Bonnie Raitt, Lucinda Williams, Lou Reed, Eagle Eye Cherry, Nick Cave and The Bad Seeds, The Jon Spencer Blues Explosion, Cassandra Wilson, Garland Jeffreys, Los Lobos, and others.
 
Says Wenders: "These songs meant the world to me. I felt there was more truth in them than in any book I had read about America, or in any movie I had ever seen. I've tried to describe, more like a poem than in a 'documentary,' what moved me so much in their songs and voices."
 
Performances in The Soul of a Man
T-Bone Burnett
Nick Cave and The Bad Seeds
Eagle-Eye Cherry
Shemekia Copeland
The Jon Spencer Blues Explosion
Alvin Youngblood Hart
Skip James *
Garland Jeffreys
Chris Thomas King
J.B. Lenoir *
Los Lobos
John Mayall *
Bonnie Raitt
Lou Reed
Vernon Reid
Marc Ribot
James "Blood" Ulmer
Lucinda Williams
Cassandra Wilson
 

 
"The Road To Memphis"
Director Richard Pearce (The Long Walk Home, Leap of Faith, A Family Thing) traces the musical odyssey of blues legend B.B. King in a film that pays tribute to the city that gave birth to a new style of blues. Pearce's homage to Memphis features original performances by B.B. King, Bobby Rush, Rosco Gordon and Ike Turner, as well as historical footage of Howlin' Wolf and Rufus Thomas.
 
Says Pearce: "The Blues is a chance to celebrate one of the last truly indigenous American art forms, before it all but disappears, swallowed whole by the rock and roll generation it spawned. Hopefully we'll get there before it's too late."
 
Performances in The Road to Memphis
Fats Domino *
Rosco Gordon *
B.B. King
Little Milton
Little Richard *
Bobby Rush
Ike Turner
Howlin' Wolf *
The Coasters *
 
*indicates archival performance
 
Interviews in The Road to Memphis
Bobby Rush
B.B. King
Rosco Gordon
Rufus Thomas
Calvin Newborn
Hubert Sumlin
Chris Spindel (WDIA program officer)
Don Kern (WDIA Production Manager)
Dr. Louis Cannonball Cantor
Cato Walker III
Little Milton Campbell
Sam Phillips
Ike Turner
Jim Dickinson
 

 
"Warming By The Devils Fire"
Director Charles Burnett (Killer of Sheep, My Brother's Wedding, To Sleep with Anger) presents a tale about a young boy's encounter with his family in Mississippi in the 1950s, and intergenerational tensions between the heavenly strains of gospel and the devilish moans of the blues.
 
Says Burnett: "The sound of the blues was a part of my environment that I took for granted. However, as years passed, the blues slowly emerged as an essential source of imagery, humor, irony, and insight that allows one to reflect on the human condition. I always wanted to do a story on the blues that not only reflected its nature and its content, but also alludes to the form itself. In short, a story that gives you the impression of the blues."
 
Performances in The Warming by the Devil's Fire
Big Bill Broonzy *
Elizabeth Cotten *
Reverend Gary Davis *
Ida Cox *
Willie Dixon *
Lightnin' Hopkins *
Son House *
Mississippi John Hurt *
Vasti Jackson
Bessie Smith *
Mamie Smith *
Victoria Spivey *
Sister Rosetta Tharpe *
Dinah Washington *
Muddy Waters *
Sonny Boy Williamson *
 

 
"Godfathers And Sons"
Director Marc Levin (Slam, Whiteboys, Brooklyn Babylon) travels to Chicago with hip-hop legend Chuck D (of Public Enemy) and Marshall Chess (son of Leonard Chess and heir to the Chess Records legacy) to explore the heyday of Chicago blues as they unite to produce an album that seeks to bring veteran blues players together with contemporary hip hop musicians. Along with never-before-seen archival footage of Howlin' Wolf, Muddy Waters and the Paul Butterfield Blues Band, are original performances by Koko Taylor, Otis Rush, Magic Slim, Ike Turner, and Sam Lay.
 
Says Levin: "When we were shooting Sam Lay and his band at the Chicago Blues Festival, they were playing Muddy Waters' classic, 'I Got My Mojo Workin.' I closed my eyes and was transported back to when I was a 15-year-old hanging in my buddy's basement listening to the Paul Butterfield Blues Band for the first time. My life was changed that day, and 35 years later the music's still shakin' my soul. The feel of that day in the basement is what I have set out to capture in this film."
 
Performances in Godfathers and Sons
Lonnie Brooks
Paul Butterfield *
Common
Chuck D and Public Enemy *
Bo Diddley *
Sam Lay
Ike Turner
Pinetop Perkins
Otis Rush
Magic Slim
Smokey Smothers
Koko Taylor
Sonny Terry * & Brownie McGhee *
"Electric Mud Band":
Pete Cosey, Phil Upchurch, Louis Satterfield, Morris Jennings
Kyle Rahzel and Ahmir (a.k.a. ?uestlove) of The Roots
Muddy Waters *
Sonny Boy Williamson *
Howlin' Wolf *
Willie Dixon *
Blind Arvella Gray *
Carrie Robinson *
 
*indicates archival performance
 
Interviews in Godfathers and Sons
Marshall Chess
Chuck D
Jamar Chess
Phil Chess
Koko Taylor
Magic Slim
Common
Sam Lay
 

 
"Red, White & Blue"
Director Mike Figgis (Stormy Monday, Leaving Las Vegas, Time Code) joins musicians such as Van Morrison, Eric Clapton, Jeff Beck, and Tom Jones, performing and talking about the music of the early sixties British invasion that reintroduced the blues sound to America.
 
During the 1960s, the UK was the location for a vibrant social revolution. London, Liverpool, Birmingham, Manchester and Newcastle all had their own music scenes. Musicians from Belfast and Glasgow moved to London to be part of the club scene there.
 
The post-war traditional jazz and folk revival movements produced the fertile ground for a new kind of blues music — entirely influenced by the authentic black blues of the USA, and, for the most part, entirely ignored by the good citizens of the US. It was new in the sense that certain key musicians took the blues and molded it in an entirely personal way to fit the new awareness of the UK in the sixties. Importantly, for the most part they continued to pay homage to the originators of the music and to make a huge global audience aware of the likes of Robert Johnson, Muddy Waters, Howlin' Wolf, Freddie King, etc.
 
Mike Figgis' film examines the circumstances of this vibrant period. Figgis himself participated, albeit in a minor way, in this period of history, playing in a blues band with Bryan Ferry, a band that was the nucleus for the first Roxy Music.
 
A series of musical interviews with the key players of the blues movement is augmented with a live session at the famous Abbey Road recording studios. Tom Jones, Jeff Beck, Van Morrison, and Lulu all improvise around some classic blues standards, accompanied by a superb band made up of younger and not-so-younger-musicians. The results are electrifying.
 
Says Figgis: "I'm interested in why there was such excitement about this black music among Europeans. To that end, I've put together a group of these musicians, augmenting the line-up with some younger talent as well. Hopefully the resulting recording session of some blues standards, and the discussions that follow, shine some light on why at a particular moment the blues was reinterpreted abroad and reintroduced in a new form that was universally embraced."
 
Performances in Red, White & Blues
Jeff Beck
Big Bill Broonzy *
Cream *
Lonnie Donnegan
Georgie Fame
Chris Farlowe
Tom Jones
B.B. King
Peter King
Alexis Korner *
Albert Lee
Lulu
Humphrey Lyttelton
Sonny Terry * & Brownie McGhee *
Van Morrison
Rolling Stones *
Sister Rosetta Tharpe *
Muddy Waters *
Lead Belly *
Jon Cleary
 
*indicates archival performance
 
Interviews in Red, White & Blues
Tom Jones
Jeff Beck
Van Morrison
John Porter
Humphrey Lyttelton
George Melly
Lonnie Donnegan
Chris Barber
Eric Clapton
John Mayall
B.B. King
Albert Lee
Chris Farlowe
Bert Jansch
Eric Burdon
Stevie Winwood
Davey Graham
Georgie Fame
Mick Fleetwood
Peter Green
 

 
"Piano Blues"
Director — and piano player — Clint Eastwood (Play Misty for Me, Bird, Unforgiven) explores his life-long passion for piano blues, using a treasure trove of rare historical footage in addition to interviews and performances by such living legends as Pinetop Perkins and Jay McShann, as well as Dave Brubeck and Marcia Ball.
 
Says Eastwood: "The blues has always been part of my musical life and the piano has a special place, beginning when my mother brought home all of Fats Waller's records. Also, the music has always played a part in my movies. A piano blues documentary gives me a chance to make a film that is more directly connected to the subject of the music than the features that I have been doing throughout my career."
 
Performances in Piano Blues
Marcia Ball
Dave Brubeck
Ray Charles Jay McShann
Pinetop Perkins
and many more!

Aivan täydellinen 75-minuuttinen!
 
Siitä tulee pelottavan hyvää jälkeä kun aikuinen elokuvaohjaaja alkaa dokumentoimaan aikuista musiikkia. Scorsese on läksynsä lukenut Alan Lomaxin tutkimuksia myöten.
 
Mali-sektio oli brilianttia. Salif Keitan, Toumani Diabatéen ja Ali Farka Touréen kommentit olivat hienoa seurattavaa. Amerikkalainen Corey jtkin oli fiksu kaveri, joka sai sanottua paljon omasta vinkkelistään.
 
Ja se Mississippi-Okehin rumpumusiikki. Se oli itselleni ihan uusi tuttavuus.
 
Keskustelupalstalla saa sanoa että "olin pettynyt". Eli, olitteko pettyneitä Scorsesen ohjaukseen vaiko bluesin juuriin? Kysyn vaan!