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Huomasin lehdessä mainoksen Russ Meyer-boxista ja Anttilassa pääsin kaunista kantta ihailemaan. Onko täällä paljon herran elokuvien ystäviä? Naiset olivat kyllä todella kurvikkaita ja täysin silikonivapaita näissä pätkissä. Pitää melkein kyseinen boxi ostaa. Maksoi reilu 31e.

Onhan noillakin varmaan ystävänsä. Onhan Russ kyllä kohtuu legenda äijä.
 
Se yksi leffa, missä tehtiin muistaakseni pilaa Hitleristä jne. oli paras. Noitahan tuli yhteen aikaan telkusta.

Silloin tuli katseltua ja nauhoiteltuakin kun noita tuli neloselta. Hauskoja elokuvia, isot tissit hytkyy ja kivaa on!

Ei säätänä... Pervoja elokuvia, muistan kun pienenä katsottiin kotona ison kaveriporukan kanssa juuri tuota Russ Meyeriä missä on Hitler.

Mä katoin joskus pätkän jotain... ?
 
Öh, niin eli en oikein ole perillä miehen leffoista , onko ne komediaa? , ropnoa? ,hä?
Mutta isot tissit on aina jees imo. rofl

http://img375.imageshack.us/img375/2383/0000mayerww2.jpg
 
Mun työpöydän taustakuva... ;)
 
Leffat sinänsä mitä oon nähny oli muistaakseni aika häröjä, mutta niissä esiintyvät naiset näytti kyllä hienoilta.

Russ Meyer R.I.P.

Kyllä taidan palkkapäivänä mennä ja ostaa tuon boxin.
 
Vixen! (1968)
Tom Palmer (Garth Pillsbury) is a good natured "bush jockey," flying chartered tours in and out of scenic British Columbia and entertaining visitors at his remote mountain cabin. He shares his secluded home with his wife, Vixen (Erica Gavin), a hot-blooded wildcat of a woman who is irresistibly drawn to illicit physical affairs despite truly loving her husband. Her pants are even hot enough to flirt shamelessly with her own brother, a motorcycle riding hooligan named Jud (Jon Evans), though his African-American friend, Niles (Harrison Page), earns nothing but Vixen's racist contempt. When Tom brings a wealthy young couple to the lodge for a few days of fishing, Vixen goes on the offensive and soon has her way with both visitors, helping to patch up their marriage in the process. Next she decides to ease the sizzling sexual tension with her brother by joining him in the shower, and their incestuous coupling is witnessed by Niles. Again, Vixen cruelly insults his race and taunts him for dodging the American draft by heading for Canada. Frustrated and angry, Niles starts talking with Tom's new charter flight customer, an Irishman named Mr. O'Bannion (Michael Donovan O'Donnell), who is secretly planning to hijack Tom's plane to reach Cuba. He's a Communist, and after a political debate, Niles decides to join his cause and help O'Bannion carry out his terrorism. Once the felonious duo are up in the air with Tom and Vixen, though, she refuses to keep her volatile tongue still, and nothing goes as planned.
 
# Supervixen (Good Morning... and Goodbye!) (1967)
A very dysfunctional family is saved through the intervention of some erotic magic in this typically top-heavy Russ Meyer soap opera. Burt (Stuart Lancaster) is married to the adulterous Angel (Alaina Capri), who routinely humiliates him for his impotence. Lana (Karen Ciral) is Burt's teenage daughter by a previous marriage, and she hates her wicked stepmother as much as she pities her emasculated father. Angel takes up with Stone (Pat Wright), a muscle-bound Lothario who makes it a habit to service a variety of unsatisfied wives in their tiny community (he also has plans for the lovely, underage Lana). The household is a spiteful, loveless place until one day when Burt takes a ride through the forest and is accosted by a beautiful, mysterious sorceress (Haji) who can only be seen and touched by humans one day a year. The ancient witch seduces Burt and awakens his virility, which he then takes home to reclaim his wayward wife and put a stop to Stone's reckless womanizing.
 
# Mondo topless (1966)
Since Mondo Cane translates to A Dog's World, we can only suppose that Mondo Topless means Topless World. No, the title does not refer to a world without the Arctic Circle. Nudie king Russ Meyer aims his camera at various "traditional" ethnic ceremonies, focusing upon amply endowed females who insist upon jiggling their mammary glands at the slightest provocation. While all this is going on, the offscreen narrator expounds loftily, just as if we're watching a sobersided PBS documentary. For all its nudity, the 60-minute Mondo Topless is about as provocative as a home economics class.
 
# Faster pussycat kill kill (1966)
Exploitation maven Russ Meyer created a cult classic with this turbo-charged action film. Three curvaceous go-go dancers in a cool sports car go on a desert crime spree, led by Varla (the amazing Tura Satana), a busty, nasty woman dressed entirely in black. Varla's lesbian moll, Rosie (Haji) — who has an extremely overwrought accent — and reluctant bimbo Billie (Lori Williams) are along for the ride. When they meet a naïve young couple (Ray Barlow and Sue Bernard), Varla challenges the man to a race then breaks his spine with a single karate chop. They take the girl hostage and drive to a house owned by a crippled old lecher (Stuart Lancaster) and his hunky but retarded son, Vegetable (Dennis Busch). Varla discovers that the old man has money hidden on the property, so the girls try to find it. Meanwhile, Vegetable's perverted father tricks him into raping Billie as he watches, but his other son (Paul Trinka) finally shows up to save the day. A great deal of bloodshed, campy catfighting, and funny dialogue fills the bulk of this fast-paced comic book of a movie.
 
# Beaneath the valley of the Ultravixens (1979)
Like most of cult director Russ Meyer's later films, his final ode to the superhuman bosom largely dispenses with plot in favor of episodic sexual sight-gags. The ostensible storyline, narrated by Stuart Lancaster in hilarious deadpan style, deals with the bedroom hijinx of small-town America — in this case the fictitious community of Rio Dio, Texas. Junkyard worker Lamar Shedd (Ken Kerr) is in trouble with his sexually ravenous wife Lavonia (Francesca "Kitten" Natividad) because he can only achieve satisfaction through unconventional openings. While Lavonia proceeds to bed down the local garbageman (Pat Wright) and others with more standard tastes, Lamar is put through a series of increasingly silly "cures," including a visit to a chainsaw-wielding gay dentist (Robert Pearson). Eventually, a radio faith-healer with enormous breasts (Anne Marie) gets him back on the right track. The amazing June Mack, who looks like she stepped straight out of a Robert Crumb cartoon, is the film's highlight as Kerr's insatiable black employer, Junk Yard Sal. The usual comic fight scenes are augmented here with different colors of blood for each character, but the high-voltage action of many earlier Meyer films is absent, as he was obviously trying to keep up with the booming porn market by including as many naughty close-ups as possible.
 
# Up! (1976)
Nobody is what they seem to be in this dizzying Russ Meyer feature, and everyone is a suspect. The reclusive Adolf Schwartz (Edward Schaaf) pays for weird pansexual pleasures performed by an interracial group of prostitutes. Later, Schwartz (who bears more than a passing resemblance to a more infamous Adolf) is found murdered in his bath, the victim of a hungry piranha. That same morning, Margo Winchester (Raven de la Croix) is jogging on a mountain pass when she's abducted and raped by a local boy. She defends herself and ends up breaking her assailant's neck, an act that is witnessed by state trooper Homer Johnson (Monty Bane). He offers to falsify his report in return for Margo's abundant body, and she enthusiastically accepts. Margo and Homer shack up in his mountain cabin, and he gets her a job at Alice's Cafe, a small-town greasy spoon run by Alice (Janet Wood) and her husband, Paul (Robert McLane). Suddenly business is booming (thanks to Margo's seductive swagger and Mae West impressions) and the trio decide to open a nightclub. Opening night is a smash, until a drunk lumberjack goes ape after witnessing Margo's sultry dance routine. The resulting fracas ends with an axe in Homer's chest and a wild moonlit chainsaw fight. But who murdered Adolf Schwartz? That mystery is solved in not one, but three epilogues which concern the identities of Eva Braun Jr., an undercover police officer and a closet white supremacist, who all fight to the death with a pistol, a dildo, and kung-fu. The action is explained and commented upon by the buxom, perpetually nude Greek Chorus (Francesca 'Kitten' Natividad), who quotes Shakespeare and attempts to raise the story to the level of classic farce.

Se yksi leffa, missä tehtiin muistaakseni pilaa Hitleristä jne. oli paras. Noitahan tuli yhteen aikaan telkusta.
 
Se muuten oli :) Damn..
 
Meyer oli aikas uraauurtavan uskalias kuvauksissaan. Pitää ihan hattua nostaa. Hienoja filmejä on tehtaillut. Telkkarista tosiaan tuli niitä jokunen vuosi tuijotettua, mutta ei ne pelkät tissien tirkistelyt kiinnostaneet. Sitten, kun päästiin kunnon juonen (ja melki pornon) pariin niin hyvä oli.

Oliko niissä ollenkaan oikeaa actionia?

Täytyy varmaan investoida tuohon boksiin, silloin kun näitä tuli telkusta, niin kyllä niitä tuli katsottua, aivan loistavaa menoa ja meininkiä!

Oliko niissä ollenkaan oikeaa actionia?
 
Tarkoitatko tuolla pornoa, vai muuta toimintaa? Molempia oli juuri sopivasti:)