Hihi, hyvää settiä. Ja samalla niin ärsyttävää, koska it's funny because it's almost true.
Unlike what’s-his-face, I have ethics. I would never, ever produce a talented band and change their sound to make it more commercial. I only work with bands who suck. I reprocess them in Alsihad until they suck on beat and in tune. Then I send the mix to Vlado Levitsky, Kasugi’s mastering engineer, who makes it 6 dB louder than the Big Bang.
NibNob. So what does it do? That’s a tough question. Every NibNob is different, and the Cyrillic labels on the controls seldom have anything to do with their actual function. They tried to copy Western gear, and got it wrong. We put some test tones through it, and it appeared to be working properly. By which I mean: it didn’t blow up, or give us radiation poisoning, or disrupt the power grid, or emit high-frequency oscillations that would make all the dogs in the city start barking, or violate the physical laws of the Universe and create a black hole.
Räjähdin. Tuo on helmiä täynnä. E: niin täynnä ettei voi lukea kun repeilee. |
Varsinaisesti hassua noissa jutuissa on se, että pääosa nuorista artisteista heittänee juuri nuo samat jutut äänittäjälle / tuottajalle kuin tuo Titz'n Ass - porukka. "haluan omat soundit", "miksaa se silleen että kuulostaa samalta kuin soittaessa", jne. taitavat olla aika tuttuja sutkauksia paljon demobändejä äänittäneille... |
BenGlenton
askomiko
studiokekkonen
Raimo
Staalo
jorma_r