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Flash: Minulla on tuo CD:nä, eli on julkaistu. Omani tuli osana boksia, jossa oli myös Radio One live ja t-paita. Mutta olen kyllä nähnyt tuon CD:n erillisenäkin myynnissä.
 
Mulla sama boksi(numeroitu). Ei ole enää ollut myynnissä sen jälkeen ku Hendrixin perhe sai oikeudet.

Flash: Minulla on tuo CD:nä, eli on julkaistu. Omani tuli osana boksia, jossa oli myös Radio One live ja t-paita. Mutta olen kyllä nähnyt tuon CD:n erillisenäkin myynnissä.
 
Tuo boksi on vieras juttu, mutta about 90-luvun alussa tuota JH Concerts-levyä liikkui Castle-levymerkin julkaisuna Anttilassa edullisesti. 50 mk:lla ostin oman ja myöhemmin oli isoja pinoja alessa kolmella kympillä. Yleensä en levykaupassa rupea muille avautumaan, mutta tätä piti kehua, kun pari nuorta kaveria ihmetteli halpaa levyä kovin epäluuloisena...
 
Radio One tupla-vinyyli tuli hankittua samoihin aikoihin, ehkä jo 80-luvun puolella. Se oli myös Castlen julkaisu ja saatavana myös cd:nä.
 
Noitten levyjen kautta se lopullinen innostus Hendrixiin syntyi. Stratocasterista myös tuli "Se" kitara.
 
Oudompi tapaus oli radio-ohjelmasta koostettu neljän tai viiden vinyylin/3-cd:n boksi. Jotain harvinaisuuksia siellä oli, mutta varsinkin vinyylinä rasittava kuunnella. Eiku divariin...

Lonesome: Oudompi tapaus oli radio-ohjelmasta koostettu neljän tai viiden vinyylin/3-cd:n boksi. Jotain harvinaisuuksia siellä oli, mutta varsinkin vinyylinä rasittava kuunnella. Eiku divariin...
 
Oisko BBC Sessions? Se on kyllä hyvä levy, kannattaa hankkia.
 
http://en.wikipedia.org/wiki/BBC_Se … he_Jimi_Hendrix_Experience_album%29
 
Saa Suomesta sekä LP:nä että CD:nä.
 
http://cdon.fi/musiikki/hendrix_jim … /bbc_sessions_%5Bimport%5D-14438594
 
http://cdon.fi/musiikki/hendrix_jim … %282cd%2Bdvd%29_%28digi%29-11955317

Steadybox: Oisko BBC Sessions? Se on kyllä hyvä levy, kannattaa hankkia.
 
Ei. BBC Sessions on laajennettu Radio One. Mainio paketti todellakin.
 
Tätä tarkoitin:
 
http://www.amazon.com/Jimi-Hendrix-Live-Unreleased-Radio/dp/B000MK4XR4

Lonesome: Ei. BBC Sessions on laajennettu Radio One. Mainio paketti todellakin.
 
Tätä tarkoitin:
 
http://www.amazon.com/Jimi-Hendrix-Live-Unreleased-Radio/dp/B000MK4XR4
 
Ok. Enpäs ole tuollaisesta kuullutkaan. Vaikuttaa mielenkiintoiselta.

Tulin vilkaisseeksi tuota tulevan levyn biisilistaa. Onko tosiaankin niin, ettei esim. Villanova Junctionia tai Hear My Train A'Cominia ole aiemmin levyillä julkaistu?
 
People, Hell and Angels -kappalelista:
1. Earth Blue
2. Somewhere
3. Hear My Train A Comin
4. Bleeding Heart
5. Baby Let Me Move You
6. Isabella
7. Easy Blues
8. Crash Landing
9. Inside Out
10. Hey Gypsy Boy
11. Mojo Man
12. Villanova Junction

danny: Tulin vilkaisseeksi tuota tulevan levyn biisilistaa. Onko tosiaankin niin, ettei esim. Villanova Junctionia tai Hear My Train A'Cominia ole aiemmin levyillä julkaistu?
 
Onhan näistä versioita. Jospa juuri näitä kyseisiä ottoja ei ole ainakaan virallisilla julkaisuilla. Villanova on Woodstock-keikan tavaraa ja Hear My Train esmes Valleys Of Neptunella.
 
Jimi "asui" aika monta päivää studiossa ja nauha pyöri, vaikka ihan valmista ei sitten tullutkaan...

Tulevalta levyltä putkahtanut tuubiin yksi kipale. Hienoltahan tuo jälleen kuulostaa, aluksi hieman oudoksutti, mutta kun on jauhattanut tuota kolme päivää niin kylläpäs se tempoo vallan ihanasti.
 
http://www.youtube.com/watch?v=pWNB4ONTK_U

Umpihullu: Tulevalta levyltä putkahtanut tuubiin yksi kipale. Hienoltahan tuo jälleen kuulostaa, aluksi hieman oudoksutti, mutta kun on jauhattanut tuota kolme päivää niin kylläpäs se tempoo vallan ihanasti.
 
http://www.youtube.com/watch?v=pWNB4ONTK_U
 
Hyvältä kuulostaa, toivottavasti koko levy on samaa luokkaa.

Loistavaa. Hienoa kun bongasit ja linkitit! Ehtaa Jimiä. Oli se sitten tarkoitettu julkaistavaksi tai ei niin hieno silti. Alkuun on kyllä outo. Jotenkin siitä ei saa kiinni mistään päästä. Mutta kyllä se siitä kun useaan otteeseen kuuntelee.
 
Pitkästä aikaa pääsi vinyyliä kuunteleen kun sain viimein hankittua soittimen hajonneen tilalle. Radio One oli ensimmäinen joka piti ottaa lautaselle pyörimään. Kyllä Jimi rokkaa!!

Aika ehtaa kamaa, tykkäsin! Nautinnollinen sävelmä.

Eipä se Hendrix koskaan petä. Minun puolestani antaa levyjä pukata ulos vaikka joka vuosi mikäli tavaraa riittää! Mielenkiinnolla odotan myös, minkälainen versio Hear my Train a comingista sieltä on tulossa.

Ei petä ei. Ja sen mitä tuosta tubesta saa irti, niin soundit vaikuttais olevan todella hyvät. Ainakin siis tällä tallenteella.
 
Piti sen kunniaksi laittaa tilausta vetämään kolmelle Hendrix LP:lle 180g 2010 painoksina
* Axis: bold as love
* Electric ladyland
* Band of Gypsys
 
Ja tottakai tuleva uutuus ennakkotilauksena. Odotellaan.. :D

ehkäpä myöskään 60-luvun happovallankumous ei olisi saanut niin raivokkaita sävyjä vaan olisi jäänyt enemmän cool runnings -asteelle, jolloin myös virallisen yhteiskunnan vastareaktio olisi lievempi ja kuka ties lsd vapaasti psykiatrien käytettävissä. Pidän siis mahdollisena että Hendrix omassa futuristisessa äärimmäisyydessään ja huikeassa täydellisyydessään tuli tahattomasti toimineeksi myös kukkaisvallan pyrkimyksiä vastaan, kukkaisvaltahan alun perin oli ainakin pyrkivinään jonkinlaiseen terapeuttiseen vallankumoukseen mikä sitten jäi tyystin tapahtumatta ja on varmastikin kääntynyt päin vastoin eli kenties psykiatrian piirissä ovat valtikkaa myöhemmin pitäneet tahot joiden hoidot ovat suoraan sanoen tehottomampia (otettiin lsd huomioon tai ei).
 
Musiikillisena katalyyttina melkein väittäisin, että Hendrixiä suurempi vaikutus oli The Doors yhtyeellä, mitä tulee tuohon flower powerin pyrkimysten jarruttamiseen ja suoranaiseen vastustamiseen; Hendrixhän täisi breikata ensin Englannissa ja vasta sitten USA:ssa, jossa tuohon mennessä The Doors oli jo räjäyttämässä pankkia (tämä on kyllä pelkkää mutua, pitäisi tarkistaa faktat jostain rockmusiikin annaaleista :D) - enkä jaksa uskoa, että LSD olisi millään muotoa voinut vakiintua psykiatriseksi hoitomuodoksi - siinä määrin äärimmäisestä kemikaalista on kyse :D - ekstaasilla, tai oikeammin puhtaalla MDMA:lla sen sijaan on jo todettukin olevan oikeasti terapeuttisia ominaisuuksia, alunperinhän ao. kemikaalia käytettiin jonkinlaisena parisuhdeterapian muotona ennen kuin se eksyi viihdekäyttäjien käsiin, ja 2000-luvulla MDMA:ta on onnistuneesti käytetty mm. Persianlahden sotilaiden mentaalikuntoutuksessa (aiheesta tuli mielenkiintoinen dokumentti jokunen aika sitten TV:stä). Luulisi kyllä Veli Pesosen tietävän LSD:n vaaroista (olethan varhaisen Pink Floydin vannoutunut puolestapuhuja :))
 
Edit: bongasin muuten Levykauppa Äx:stä tuon 1973 vuonna julkaistun dokkarin Hendrixistä! Se on juuri se sama, josta jorisin blogissanikin, joka sai innostumaan Jimin musiikista ja kitaransoitosta! Se oli yksi aika merkittäväkin tekijä, joka sai synnytettyä meikäläiselle tämän sielunvamman, jotta on sisäinen pakko ilmaista itseään musiikilla kun ei muuten osaa :D

ganesha: Luulisi kyllä Veli Pesosen tietävän LSD:n vaaroista (olethan varhaisen Pink Floydin vannoutunut puolestapuhuja :))
 
Hehheh! Ettei tule väärinkäsityksiä niin täytyy todeta etten todellakaan tiedä vaaroista enkä hyödyistä, olen vain lukenut aiheesta. Monella täyspäisellä (?) psykiatrilla on tuntunut olevan käsitys että LSD:stä olisi voinut koitua suoranainen terapeuttinen läpimurto ellei se olisi tullut lähinnä Learyn toimesta levitellyksi ympäriinsä eli muuttuneeksi poliittisesti epäpäteväksi. Eli mun bointsi oli siinä että kukkaisvallan tosiasialliset tavoitteet olisivat toteutuneet suuremmalla todennäköisyydellä, jos mitään kukkaisvaltaa ei olisi koskaan ollutkaan!
 
Ja jos näin on, voikin miettiä oliko koko homma ns. järjestetty eli junailiko CIA liikehdinnän joka ei voinut kuin epäonnistua. Ehkä ihmisistä ei saanut tulla liian terveitä!

Kopioin juttua tuolta netistä, sivulta josta sitä mun mielestä oli vaikeaa lukea. Ajattelin vetää suoraan tänne. Jos ette tykkää niin otetaan pois!
 
Jimi Hendrixs People, Hell and Angels track by track
Co-producer John McDermott discusses the new CD in full
 
*******
 
On 5 March, Experience Hendrix LLC and Legacy Recordings releases People, Hell And Angels, a new collection of previously unreleased Jimi Hendrix recordings culled from sessions between early 1968 and late '69, which saw the guitarist assuming the producer role and experimenting with different groups of musicians outside of the original Jimi Hendrix Experince trio.
 
"It's a really exciting and interesting album," says John McDermott, who co-produced the set with Eddie Kramer and Janie Hendrix. "The idea on Valleys Of Neptune was to show the end of the original Jimi Hendrix Experience, and with People, Hell And Angels, we moved the timeline up some. We looked at the remaining material, and the idea was to fill in the portrait as best we could."
 
The recordings on People, Hell And Angels feature the first-ever studio session by the Band Of Gypsys, along with the group that Hendrix assembled for Woodstock, and also it showcases collaborations with old friends and new friends. "He was widening the net," says McDermott. "Once the Experience were no longer going to be an effective recording unit, he got Billy Cox and Buddy Miles, as well as additional percussion and Larry Lee on additional guitar. And there's a track where his friend Stephen Stills bass. There's experimentation, but it's not in a loose, unformed way; Jimi was working with really compelling song structures, and he was playing great, too." (To check out audio of the track Somewhere, which features Buddy Miles and Stephen Stills, click here.)
 
During this period, Hendrix worked at various facilities New York's Record Plant, Hit Factory and Sound Center, along with the Fame Studios in Muscle Shoals, Alabama and with the exception of the track Somewhere, everything was recorded 16-track onto two-inch tape. They were mainly Scotch tapes, and they were great shape," says McDermott. "Jimi was fortunate in that he was working at a time before tape got thinner. We didnt have to do any baking to the recordings. Everything held up beautifully.
 
Hendrix's last official album with the Experience was 1968's Electric Ladyland, and the tracks on People, Hell And Angels offer fascinating insights as to the musical direction he was entertaining on his planned double album First Rays Of The New Rising Sun. "Jimi was working with friends who shared a common language with him," says McDermott. "To be able to say to people who knew Elmore James, I want to get an entirely different beat to this. I want to take this somewhere new. Heres where were going that was exciting for him. Everybody fell right in and tore into the music.
 
Whats fascinating about Jimi is that one week of his felt like a year for other artists. There was so much creativity and so many possibilities. He was really looking to challenge himself. When he had an idea, he chased it fearlessly."
 
On the following pages, John McDermott walks us through Jimi Hendrix's People, Hell And Angels track-by-track.
 
1. Earth blues:
 
This harks back to that first May 1969 session. It was one of the songs that Jimi showcased to Buddy and Billy. While they didnt get it then, they certainly had an interesting handle on it. When things geared up in December of that year for the Band Of Gypsys shows, this is one of the tracks that was not only in the set, but Jimi recorded it in the studio, as well.
 
Whats really interesting about this one is that, unlike the version now on First Rays Of The New Rising Sun and previously on Rainbow Bridge, it shows off the stripped-down funk, without the Ronettes and a lot of the extra guitar things that were overdubbed by Jimi later. Its a separate take entirely, and hes got the drum break in it, which is really cool. Its a different approach.
 
There was a shared understanding between Billy and Buddy, and that made it really easy for Jimi to work with them. As great as Noel became as a bassist, I just think that the camaraderie that Jimi and Billy had was special. They worked on material before they got into the studio in ways that Jimi and Noel never did. They got together in hotel rooms or in Jimis apartment they enjoyed playing together. By 68, 69, Jimis relationship with Noel was more professional.
 
2. Somewhere:
 
Its really Jimi and Buddy Miles, and then Stephen Stills joins them on bass, and it starts to come together. Its a great track with something of a strange history: It was part of the Crash Landing album, but a different take of the song was used on that. To us, this is the version that has all the right pieces. It's got the original instrumentation and none of the posthumous overdubbing.
 
Its surprising to me that Somewhere was never considered for Electric Ladyland. I dont know whether that was because Jimi recorded it without Chas Chandler being there to supervise it that could have been an issue. Like My Friend, its a really interesting look at Jimi when he was just starting to step outside the original three-man band.
 
Stephen Stills was good friends with Jimi, and he was friends with Buddy, as well, so it was a great mix of personalities. Stephen acquitted himself well on the bass. I think this track was really about Jimi taking advantage of the skills his friends had and tapping into that. Today, its nothing to invite your friends to the studio and have them play on a track people do it all the time, guest starring on cuts and all that. Back then, it didnt happen so much. The Beatles, The Stones with rare exceptions, they always kept the core.
 
3. Hear my train a coming:
 
One of the highlights of the record. Its Jimi sharing a common language with Billy and Buddy. All three of them did the chitlin circuit together. Both this song and Bleeding Heart were right in everybody's wheelhouse.
 
Jimis first love was the blues, but unlike his contemporaries Clapton or Beck or some others who were covering blues songs that they had heard on records, he was writing new, original blues and taking it to the next level. Thats what this is a phenomenal take on a song that he had really tried to get right with the Experience, but hadnt been able to do it to his liking.
 
Billy and Buddy understood how to set the tempo. If you listen to this recording, they play it the same way as they did on the Live At The Fillmore East album. They knew intuitively that the song should have a great, menacing groove; it shouldnt be old-school, old-tempo, four-bar stuff. They wanted it to have a totally different feel, and thats what makes it exciting.
 
4. Bleeding heart:
 
The Elmore James song. Jimi loved Elmore, of course, and he tried this one many different ways: as a 12-bar, slow, extended version with the Experience; as a version thats on Valleys Of Neptune with Billy Cox and the Cherry People, which is really cool a totally different vibe. He worked with it a lot.
 
Whats so cool about this track is that, prior to cutting it again, he told Buddy and Billy, I want to drive a whole different beat. Again, its Jimi reinterpreting the blues. Yes, theres homage there, but hes putting his imprint on it. He had a way about him in that, when he did a cover, be it All Along The Watchtower, Sgt. Pepper or Like A Rolling Stone, it became a Jimi Hendrix tune. This is a fresh take.
 
5. Let me move you:
 
Jimi was reaching back to old friends, including Lonnie Youngblood, and he had this idea to take what they used to do, when Jimi was a sideman for Lonnie, and bring it into the future. He was able to be free not only with his guitar part but with the tone and the attack, as well. None of that stuff had to be muted like it was going to be a little R&B recording; instead, it was a Jimi Hendrix recording.
 
Given that, I think everybody stepped up. Its a very exciting, energetic cut. Jimi put everything he had into it. If you compare it to some of the things he had done with Lonnie three years earlier, its like night and day.
 
Guitar players should take note of him comping the changes. He really understood the value of rhythm guitar; that you really have to connect to an arrangement and bring something to it, not just for a 16-bar solo but throughout the song. Hes all over it.
 
Its really cool to hear Jimi play off Lonnies saxophone, and whats especially interesting is to hear how he can add but not trample.
 
6. Izabella:
 
What I love about this version of Izabella is that it showcases the promise of the Woodstock band. I think what Jimi saw in that, and having somebody like Larry Lee, whom he had played with on the chitlin circuit, was adding that rhythm guitar and connecting with it. The band had played this song two weeks earlier at Woodstock, and it came off very well. Jimi wanted to cut it in the studio while it was still fresh.
 
The solo is just fantastic absolutely scorching. Eddie Kramer and I heard it in 95 when we were going through the tape library, and we said, You know what? When the time comes, there will be a place for that. Its amazing.
 
7. Easy Blues:
 
Easy Blues is a favorite. There was an edited version that came out as part of Nine To The Universe, and weve had a lot of requests for the extended track. It really fits here because its from the same sessions, and its the same instrumentation, the same players. Contextually, we felt that this was the place to showcase the longer extract.
 
Its right in Mitchs pocket he plays very, very well on this. The additional percussion, the ability for everybody to add to what Jimi was doing instead of him having to carry the weight all the time theres a lot here, and you can hear why Jimi felt that this band had a lot of potential. Its a shame that it wasnt able to grow into something, but cuts like this sound great.
 
8. Crash landing:
 
Obviously, it was a part of the Crash Landing album. We just felt that anything that had been tinkered with should be heard in its original form. This is what Jimi was actually doing with the players, and its really good. There was never any need for any of that overdubbing that had gone on in 75.
 
Anybody who hears this will recognize it as a precursor of Freedom, but it still stands on its own. Jimis playing is great, the time signatures are unique, and Billy Cox, in one of his first sessions, is terrific. You can kind of get a sense for some of the things Billy would be doing going forward. He cemented the bottom in a way that Noel didnt.
 
There is a keyboard player on the track somebodys on B3 but we dont know who it was. They cut it all live. The session was tough for Jimi because he was struggling to get the guy to play what he wanted. A more sympathetic player like Steve Winwood might have been able to take it our further, but this is what Jimi had on this particular day.
 
9. Inside out:
 
A cool track. It starts to show the concept of Jimi no longer having to work with the three-man band. Actually, its him looking at a really unusual way of recording, where he and Mitch would work without a bass player. Jimi would overdub the bass.
 
When you listen to a track as complex as this, thats almost hard to believe. Mitch wasnt a straight-ahead kind of drummer like Buddy Miles. While he played in time, he would certainly add a lot of amazing accents and techniques. Yet Jimi was able to pull everything off, and as a bass player he was fabulous.
 
He and Eddie Kramer worked on that great Leslie guitar sound. Ezy Rider was such an important riff in his head he doesnt yet have it quite together, but here hes blending it with kind of what he did with Tax Free, and thats what makes it so interesting.
 
10. Hey gypsy boy:
 
The precursor of Hey Baby from the Rising Sun album. Again, its one of Jimi's first recordings with Buddy Miles. It shows the direction moving out of the Experience, and it would be a key part of Jimis set throughout 1970 and, of course, as the great version thats on First Rays.
 
11. Mojo man:
 
A very cool track. It was cut at Fame Studios in Muscle Shoals, which was the hottest R&B studio at the time, but Jimi, just by making his additions, turned it into something that those guys never could have put together. His whole approach elevates it beyond what was then contemporary R&B.
 
The groove of the Fame track James Booker on piano is fantastic. There was some amazing talent in the room. But what Jimi brought to it really speaks to what he could do, not only as a guitar player but as a producer, as well.
 
12. Villanova Junction blues:
 
The Woodstock version with Band Of Gypsys is so ingrained in peoples minds, but here is Jimi at the very front of it, kind of saying, OK, Ive got something really great, but I have to develop it.
 
We thought it was a sweet way to bring the record to a close. Like a lot of great songs in the library, its one that held a lot of promise, but of course, he wasnt able to finish it.

Tänään julkaistu tuo uusi levy.
Onko kukaan vielä ehtinyt käydä ostamassa?

Steadybox: Tänään julkaistu tuo uusi levy.
Onko kukaan vielä ehtinyt käydä ostamassa?
 
Minä kävin jo lauantaina levykaupasta ostamassa. Pidän kovasti. Ei kait tässä mitään uusia valtavia arkistojen aarteita ole löytynyt toki. Mutta hienosti toteutettuja paketteja nämä viime vuosina ilmestyneet levyt. Erityisesti pidin valleys of neptune-levystä. Upeat kannet ja vihkot ja hyvät soundit näillä levyillä. Mukavaa aitoa jami-meinkiä myös tälläkin cd:llä.

Tsugu Way: Minä kävin jo lauantaina levykaupasta ostamassa. Pidän kovasti. Ei kait tässä mitään uusia valtavia arkistojen aarteita ole löytynyt toki. Mutta hienosti toteutettuja paketteja nämä viime vuosina ilmestyneet levyt. Erityisesti pidin valleys of neptune-levystä. Upeat kannet ja vihkot ja hyvät soundit näillä levyillä. Mukavaa aitoa jami-meinkiä myös tälläkin cd:llä.
 
Pitääpä käydä itsekin ostamassa sitten kun tulee taas käytyä kaupungissa.
Ja tuo Valleys of Neptune on kyllä todellakin hyvin toimiva paketti.