Bassot ›

kun tuossa bassosoolo-threadissa herra tuli mainituksi, niin avataanpa Billyn selkään taputteluketju. Mahtavaa soitantaa, varsinkin angel dust lämmittää sydäntä!
 
muistaakseen ekojen levyjen kuvissa soitti ripperillä tahi grabberilla. pikaisella etsinnällä löytyi tuollaista tietoa kamoista, kellään tietoa muilla albumeilla käytetyistä kamoista? vai onko setti pysynyt muuten samana. mielenkiintoista että soittaa peaveyllä
 
Billy's Zon Sonus 4-strings have custom-wound Bartolinis, and several cuts on King for a Day showcase his surprisingly clean R&B tone. Nonetheless, his entire rig was constructed with one thing in mind: dirt. "It's really hard to find a nice bass amp that'll break up," the 32-year-old groans. "It seems as though people design bass amps these days to be as clean and efficient as possible and not to break up, and I hate that. To me, it's the most anal sound - especially for our group, where it has to grunt. That's why I've always used Peavey gear. Whether they like it or not, it breaks up. I think a lot of people look down on Peavey for that reason, but that's exactly why I like it." The Peavey gear in Gould's lineup includes a T.B. Raxx preamp, two CS1200 power amps, two 1x15 cabinets, and two hefty 6x10s. He used the same setup in the studio, with one addition: extra sonic grime came courtesy of an ancient Peavey 4x12 with torn speaker cones. "I've also been using a rackmount SansAmp," he adds. "You can get the meanest, most brutal sounds with it!"