 onxu
23.01.2005 11:24:27 | |
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Niin? (olen pahoillani jos olisi löytynyt etsimällä, mutta laiska kun olen) GUNS N' ROSES |
onxu
23.01.2005 11:28:42 | |
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Tarkoitan tota loppusooloa siis. GUNS N' ROSES |
 Strutsi
23.01.2005 11:48:53 | |
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en oo varppi, mutta veikkaisin E-mollia "I've gone where the hand of man has never set foot." |
 Pande
23.01.2005 11:53:38 | |
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3 ekaa tahtia E-mollissa sitten C-duuriin/A-molliin ja siinä suurinpiirtein pysytään soolon loppuun asti (en jaksa tarkemmin analysoida kun ei tuo Kirkin soolottelu pahemmin inspiroi). If you can't dazzle them with your brilliance, baffle them with your bullshit. |
onxu
23.01.2005 12:09:30 (muokattu 23.01.2005 12:20:04) | |
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Ei muakaan niin paljoo siksi haluunki tehä oman:D. Noi Jamesin tekemät soolot on paljon parempii. GUNS N' ROSES |
 opuh
23.01.2005 12:21:47 | |
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Ei muakaan niin paljoo siksi haluunki tehä oman:D. Noi Jamesin tekemät soolot on paljon parempii.
Minua on aina kiinnostanut kuinka moni Metallican sooloista on Jamesin käsialaa Hahahah |
 ...And Justice For All
23.01.2005 12:35:16 | |
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Minua on aina kiinnostanut kuinka moni Metallican sooloista on Jamesin käsialaa
Niitä on ainakin kaikki nothing else mattersin, orion, yks soolo to live is to diestä, master of puppetsin hidas,,,, muista en tiedä ...And Justice For All |
onxu
23.01.2005 12:54:03 | |
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Muakin kiinnostas tietää mitkä on Jamesin tekemii. Joskus kun kuuntelen fade to blackkii niin aattelen että oiskohan se tehny jonkun niistä. GUNS N' ROSES |
 Torniojaws
23.01.2005 13:20:23 (muokattu 23.01.2005 13:30:36) | |
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Eikös Metallican kaikissa biiseissä jako ole: Vasen kanava - James Oikea kanava - Kirk Vai vakiintukohan tuo vasta myöhemmin. Mutta tästä päätellen Kirk soitti kaikki soolot Fade to Blackissä: Kirk Hammett: I was still using the black Flying V, but on "Fade To Black" I used the neck pickup on my guitar to get that warm sound. I played through a wha-wha pedal all the way in the "up" position. We doubled the first solo, but it was harder to double the secong solo in the middle because it was slow and there was a lot of space in it. Later I realized that I harmonized it in a weird way in minor thirds, major thirds and fifths. For the extended solo at the end, I wasn't sure what to play. We had been in Denmark for five or six months, and I was getting really homesick. We were also having problems with our management. Since it was a somber song, and we were all bummed out anyway, I thought of very depressing things while I did the solo - and it really helped. I played some arpeggios over the G-A-B prgression, but we widn't double track that solo. When that was finished, I went back and did the clean guitar parts behind the verse. James played an arpeggiated figure while I arpeggiated three-notes chords. We ende up getting a very 'Dire Straits'-type sound. http://www.encycmet.com/songs/srfade2b.shtml"No! This face is only a mask, a wicked ornament, Illuminated by an exquisite grimace, Look and see, atrociously contorted, The real head and the sincere face turned back under the shadow of the face which lies"
- Charles Baudelaire |
