Elektroniikka ja soitinrakennus ›

eli kysyisin näistä muutamasta kaula laadusta mikä olisi paras mahollinen, eli leppä, mahonki, ruusupuu, eebenpuu vai vaahtera? olis ajatuksena käydä teettämässä itelle kitara ja rahapuoli ei oo huoli.

eli kysyisin näistä muutamasta kaula laadusta mikä olisi paras mahollinen, eli leppä, mahonki, ruusupuu, eebenpuu vai vaahtera? olis ajatuksena käydä teettämässä itelle kitara ja rahapuoli ei oo huoli.
 
Jos nyt ihan kaulapuista on kyse, ei siis otelaudasta, niin järjestys on melko selvä: mahonki tai vaahtera, jos oikein rutosti on tuohta niin ruusupuu. Leppä ei ole kaulapuuna hyvä, ja eebeni on "liian kovaa". Otelautana sitte eeben, ruusupuu ja vaahtera. Minun mielestäni.

Kaulapuista:
Maple:
The most common electric guitar neck wood, Maple has a uniform grain, it’s strong and stable, and it has less reaction from environmental changes than other hardwoods. Its tone is highly reflective, and focuses more energy onto the body wood. All things being equal, bolt-on Maple necks are less of a factor on the guitar’s tone and emphasize the body wood.
 
Mahogany:
The even density makes stable necks, and the open pores make the neck a little more responsive than a maple neck. The Mahogany will absorb a little more of the string vibration than Maple will, and compresses the attack and the highs a little.
 
Koa:
The tone is somewhere between Mahogany and Maple with a little sweeter top end.
 
Rosewood:
Heavy, oily wood, a Rosewood neck will produce excellent sustain while also smoothening out the highs. Generally with greater sustain comes a brighter top end. This is not true of Rosewood. It mutes the high frequency overtones, producing a strong fundamental that still has the complexities of mid and low mid overtones.
 
Wenge:
Stiff, strong, and stable, Wenge trims some high overtones like Rosewood does, while resonating more fundamental mids and low mids due to it’s multi-density “stripes” combing away a little more of the mid and low mid overtones.
 
Fretboard Woods:
Perhaps more significant than neck wood, the fretboard is the place your string launches from. It is the “bridge” on the other side. Fretboard differences are as dramatic as those between a hardtail and a tremolo.
 
Maple:
Very bright and dense, Maple is highly reflective. When used on a fretboard, Maple encourages tremendous amounts of higher overtones and its tight, almost filtered away bass favors harmonics and variations in pick attack.
 
Rosewood:
The most common fretboard, Rosewood is naturally oily, and works well for any surface that sees frequent human contact. The sound is richer in fundamental than Maple because the stray overtones are absorbed into the oily pores
 
Ebony:
Ebony has a snappy, crisp attack with the density of Maple, but with more brittle grains, oilier pores, and a stronger fundamental tone than Maple. It has a tremendous amount of percussive overtones in the pick attack, that mute out shortly thereafter to foster great, long, sustain.
 
Pao Ferro:
Quite simply, Pao Ferro is a wood that falls between Rosewood and Ebony, and the tone follows suit. It has a snappier attack than rosewood, with good sustain, and its warmer sounding than Ebony. Some consider Pao Ferro to represent their favorite aspects of the two.
 
http://www.jemsite.com/axes/htm_features/wood.htm

Erittäin mielenkiintoinen teksti ja linkki. Kiitoksia!